Oliver Cheatham - S.o.s. (long 12 Inch Version) Sound Direct
The extended 12-inch version (often listed around 6:24 minutes, though some pressings vary) is designed for club play:
Experience the groove of the 12-inch version and its 80s production style through these recordings: Oliver Cheatham - S.O.S. (Long 12 inch Version) HQsound YouTube · RBsound Holland (Soul & Jazz Café) OLIVER CHEATHAM - S.O.S. (12'' Version) [HQ] YouTube · SOS_FM Oliver Cheatham - S O S (12'' Version) YouTube · Luiz Eduardo Carvalho Oliver Cheatham – S.O.S. | Releases - Discogs Oliver Cheatham - S.O.S. (Long 12 inch Version) sound
The track is characterized by a "chunky," mid-tempo groove typical of the era's transition from disco to electro-funk. The extended 12-inch version (often listed around 6:24
: Be aware that there are multiple versions on different 12-inch pressings, including an "M&M Mix" (mixed by John Morales and Sergio Munzibai), which is known for a more percussive and "club-friendly" arrangement compared to the original mix. Key Technical Details Release Year Tempo Approximately 116–117 BPM Labels Champion (UK), Rush Records (Germany), Critique (US) Credits | Releases - Discogs The track is characterized
: The production is built around bright, staccato synth stabs and a driving synth bassline that provides much of the track's melodic momentum.
: Cheatham employs his signature soulful vocal style, often utilizing background harmonies that he frequently arranged himself (drawing on his experience doing background vocals for acts like One Way ). Structure of the Long 12-inch Version
Released in 1986, is a synth-heavy funk and post-disco gem that showcases Oliver Cheatham's smooth, soulful tenor against a polished, mid-tempo electronic backdrop. While Cheatham is best known for his 1983 hit "Get Down Saturday Night," "S.O.S." represents the evolution of his sound toward the more digital production style of the mid-80s. Sound Character & Production
The extended 12-inch version (often listed around 6:24 minutes, though some pressings vary) is designed for club play:
Experience the groove of the 12-inch version and its 80s production style through these recordings: Oliver Cheatham - S.O.S. (Long 12 inch Version) HQsound YouTube · RBsound Holland (Soul & Jazz Café) OLIVER CHEATHAM - S.O.S. (12'' Version) [HQ] YouTube · SOS_FM Oliver Cheatham - S O S (12'' Version) YouTube · Luiz Eduardo Carvalho Oliver Cheatham – S.O.S. | Releases - Discogs
The track is characterized by a "chunky," mid-tempo groove typical of the era's transition from disco to electro-funk.
: Be aware that there are multiple versions on different 12-inch pressings, including an "M&M Mix" (mixed by John Morales and Sergio Munzibai), which is known for a more percussive and "club-friendly" arrangement compared to the original mix. Key Technical Details Release Year Tempo Approximately 116–117 BPM Labels Champion (UK), Rush Records (Germany), Critique (US) Credits
: The production is built around bright, staccato synth stabs and a driving synth bassline that provides much of the track's melodic momentum.
: Cheatham employs his signature soulful vocal style, often utilizing background harmonies that he frequently arranged himself (drawing on his experience doing background vocals for acts like One Way ). Structure of the Long 12-inch Version
Released in 1986, is a synth-heavy funk and post-disco gem that showcases Oliver Cheatham's smooth, soulful tenor against a polished, mid-tempo electronic backdrop. While Cheatham is best known for his 1983 hit "Get Down Saturday Night," "S.O.S." represents the evolution of his sound toward the more digital production style of the mid-80s. Sound Character & Production
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