: Modern theory, particularly that of David Bordwell, argues that spectators are not passive "victims" of a story but active participants who use "schemata" (mental frameworks) to test hypotheses and draw inferences about the plot.
This essay explores the mechanisms of filmic narration, focusing on how fictional cinema transforms story material into a structured audience experience. Narration in the Fiction Film
: Associated with early Soviet cinema, focusing on collective action and ideological messaging rather than individual psychology. : Modern theory, particularly that of David Bordwell,
: Characterized by clear cause-and-effect logic, a goal-oriented protagonist, and "invisible" editing that prioritizes narrative clarity. : Modern theory