The famous Andante of No. 21 is played with "affecting delicacy" and "empyreal heights". 3. Alfred Brendel & Academy of St Martin in the Fields
His reading of No. 24 is described as "deep" and "multi-layered," avoiding the "clipped" feel found in less successful versions. Mozart Piano Concertos Nos 20 & 21 - Gramophone Mozart_PConcertos_21_24.rar
Uchida is celebrated as a Mozartian of "exceptional sensibility". Her recordings often highlight the stark contrast between the bright No. 21 and the tragic No. 24. The famous Andante of No
He is noted for being more "inventive" than many peers regarding ornamentation and lead-ins. His partnership with Sir Neville Marriner is often seen as a standard for "well-groomed" and polished Mozart. Alfred Brendel & Academy of St Martin in
Reviewers highlight her "thoughtful and mature accounts" where every note matters. Her approach to No. 24 is described as conveying an "ineffable sadness" with subtle withdrawals of tone.
The slow movement of No. 21 is described as "magical," while the C minor concerto (No. 24) is delivered with "fluency and strength".
2. Mitsuko Uchida & English Chamber Orchestra (or Cleveland Orchestra)