: Adele Bloch-Bauer, a prominent Jewish socialite and patron of the arts in Vienna, was the only model Klimt painted twice.
: The painting is noted for its "flat," decorative composition where Adele's realistic face and hands emerge from a sea of geometric and organic gold motifs. History of Looting and Restitution La Dama De Oro
: In 2006, an arbitration panel in Vienna ruled in favor of Altmann. Today, the painting is permanently displayed at the Neue Galerie in New York City. : Adele Bloch-Bauer, a prominent Jewish socialite and
: Klimt utilized oil paint along with extensive silver and gold leaf, a style inspired by the Byzantine mosaics of Ravenna. Today, the painting is permanently displayed at the
: In the late 1990s, Maria Altmann, Adele’s niece, began a decade-long legal crusade to reclaim the work from the Austrian government. The case eventually reached the U.S. Supreme Court ( Republic of Austria v. Altmann ).
Painted during Klimt's "Golden Phase," the work is a pinnacle of the Vienna Secession movement.